BIOGRAPHY
Dr. David Rudge, Director of Orchestras and Opera at the State University of New York, and Music Director of the Orchard Park Symphony, has conducted orchestras on five continents to rave reviews. As Director of the Orquesta Sinfónica Nacional de Guatemala he was credited with the dramatic rebirth of that orchestra. Described as “dynamic” and “electric,” Guatemala’s Prensa Libre wrote “it has been many years since we have heard a symphony orchestra play with such inspiration.” Dr. Rudge founded the Eastminster Chamber Orchestra, and was Assistant Conductor of the University of South Carolina Symphony Orchestra, the Columbia Lyric Opera and Ballet, and the South Carolina Philharmonic. During that time he was noted for his “Bernstein-like intensity” The State, Columbia, SC. He was chosen several times to prepare the Beethoven Chamber Orchestra for the International Workshop for Conductors in ZlÌn, Czech Republic. He has guest conducted the West Bohemian Symphony Orchestra in Mariánské Lázne, CR, and, as a two time winner of the International Opera Conductors’ Competition, he was invited to conduct a complete production of Rigoletto at the Silesian State Opera in the Czech Republic, and to lead the Vratza Philharmonic in Bulgaria. In 1996, as an Artistic Ambassador for the State Department, he spent two months in Damascus, Syria conducting the National Symphony and Chamber Orchestra. He has conducted the Opera and Orchestra at the Rome Festival, Italy, and has guest conducted the Dialecto Urbano Chorus, Caracas, Venezuela, the Giurgiu Philharmonic (Romania), the Oklahoma City Philharmonic, with Jean-Luc Ponty as soloist, the Western New York Chamber Orchestra, the Woodstock Chamber Orchestra, the Orchestra Society of Philadelphia, the North Carolina Governor’s School Orchestra, and the Poughkeepsie Chamber Orchestra.
Holding degrees from the Hartt School of Music, the University of Houston, and the University of South Carolina, Dr. Rudge has also studied conducting at the Dartington School, England, the Mozarteum in Salzburg, the Pierre Monteux School, the Aspen Music Festival, the National Conservatory of Romania, and the Conductors Institute with Donald Portnoy and Harold Farberman. He also worked with such notables as Charles Bruck, Max Rudolf, Gunther Schuller, and Maurice Abravanel. Violin study was with Yumi Ninomiya, Jascha Brodsky, Renato Bonacini, and Fredell Lack. Chamber music coaching has been with members of the Curtis, Cleveland, Kolisch, Amadeus, Portland, Razumovsky and Emerson String Quartets. Dr. Rudge has taught at Oklahoma State University, the University of South Carolina, Colby College, the Hartt School of Music and the Omega Institute of Holistic Studies, New York. He has given classes in conducting at the Conservatorio Nacional, Guatemala; the Higher Institute of Music, Damascus, Syria; the National Taiwan Normal University, the ASTA National Conference, and as a faculty member of the Conductor’s Institute at Bard College. He has been coach and guest conductor of the Boston, Columbia, Houston and Costa Rican Youth Orchestras, as well as many student honor-orchestras and was a guest conductor at the Friedman School, Caracas, Venezuela. Dr. Rudge has played as both a violinist and violist with the South Carolina Philharmonic, the Oklahoma CityPhilharmonic, Tulsa Philharmonic, Orquesta Sinfónica Venezuela, Charleston Symphony, 
Portland Symphony, and the Houston Grand Opera. He was the first violinist of the AndreaString Quartet, andwas invited to perform with the Portland String Quartet in their 25th Anniversary concert. At SUNY-Fredonia he also teaches Free Improvisation, and is the Founder of the Improv. Collective, a unique performing ensemble dedicated to free improvisation for self-expression. He is a member of the teaching staff and Board of Directors of Music for People, an organization that advocates and promotes freely improvised music. In 1998 Dr. Rudge was awarded a Fulbright Teaching Fellowship to return to the Middle East. As a Senior Fellow, he spent the summer months in Egypt conducting the Cairo Opera Orchestra, the Amadeus Chamber Orchestra, and the Cairo Opera Chorus, and teaching at the National Conservatoire of Music. The Cairo press called him “a proper maestro. . . grandly expressive.”